#WHAT YEAR DID CF MARTIN BUY FIBES DRUMS FULL#

When the silent film era ended in 1927, the need for the more bizarre effects diminished. Every time the screen showed a locomotive, a rooster, a gunshot, a doorbell, a dog barking, a streetcar, or even a growling bear, the traps drummer would be prepared!

#WHAT YEAR DID CF MARTIN BUY FIBES DRUMS FULL#

Larger cinemas would separate the drummer from the effects, having a full table of вЂњcontraptionsвЂќ (or 'traps') for thunderstorm sounds, vehicle sounds, and animal sounds. These basics of these would often include a songbird whistle, cuckoo whistle, clog mallets (for dancing scenes), and a duck call that could produce farm animal sounds. When jobs at motion picture houses were widely in demand, sound effect instruments added realism to the silent screen. Basic additions to the trap kit were ratchets for off-beats, and triangles for soft strains and theatre work.

'Few drummers these days recall the life of an early 20th century drummer, and the many circumstances they were faced with that would often require creativity, and an extensive branching out of their instrument collection. Here is some great information directly from Nicks website: We learn all about where they would work, what instruments they would use, how they got around to the gigs, and the manufacturers who created these fascinating instruments. Life was very different back then for musicians but drummers were never short of work thanks to the overwhelming need for theaters to keep the audience entertained by supplementing silent movies with sound effects. He also tells us the full history of trap drummers and describes what it would have been like to be a working drummer in the early 1900's. He shares his vast collection of sound effect Instruments with us and plays examples of some of his favorite pieces. Nick takes us back to a time when trap drummers were king and could be found in every theater around the country.

What year did cf martin buy fibes drums